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There are lots of misconceptions . about Gothishness. To Adam, “Goth means everything and nothing, really.” The longevity of the scene, suggests Hemingway, is a testament to the openness of this community that accepts, and even celebrates, difference. “Goth is intrinsically who we are. Beyond the music, beyond the aesthetics—beyond all of that, it’s a yearning for community, positivity, inclusivity, being around likeminded people who are just lovely [and who like] a little darkness, shadows.” Also fabulosity.
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For me there’s a lot of femininity in it and I love that aspect of it,” the photographer says . “I love wearing makeup. I love wearing heels.” Adam, who was sporting a piratical ruffled shirt, in black, of course, when giving this interview, explains that Sissies of Mercy is also about “the idea of Goth being super camp and being a bit fun; that it’s not this dead serious thing that people think it is. People think we’re sad all the time. I mean, how happy are we?! We’re the happiest goths on earth, maybe.” Without a doubt. Central Park teemed with life last night. Little leaguers faced off on the baseball diamond, after work revelers snuck in bottles of rosé, and from the Great Lawn, a soundtrack of show tunes could be heard echoing through the trees as The Public Theater held its annual gala at the park’s Delacorte Theatre. Usually reserved for the company’s tricky to get tickets to Shakespeare in The Park showings, the amphitheater and its adjacent yard had been repurposed for cocktails and alfresco dinner. “It’s just not summer unless I see a play here,” Jane Lynch told Vogue. “I just love the whole idea of The Public, and how great they are at supporting really talented artists who are young and maybe untested. I’m a big fan.”
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