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Fontaine Cards to make I’m a social worker girl i was born with my heart on my sleeve a fire in my soul and a month i can’t control shirt. a special-edition deck of playing cards, with all sales benefiting Black Lives Matter. Elijah Funk and Alix Ross of Online Ceramics made a T-shirt printed with a giant peace sign, skeleton hands in handcuffs, and quotes from a speech by Ethiopian emperor Haile Selassie I (which later featured in Bob Marley’s song “War.”) They’re donating 100% of proceeds to the NAACP Legal Defense Fund, Black Lives Matter, the Movement for Black Lives, and the National Bail Out collective.
I’m a social worker girl i was born with my heart on my sleeve a fire in my soul and a month i can’t control shirt, hoodie, sweater, longsleeve and ladies t-shirt
And yet, despite the often erratic segues, there is a common stylistic thread that’s totally compelling. It’s essentially all of Coppola and Cassavetes’s wide-ranging interests brought under one roof: rare cameos of Sonic Youth, Naomi Campbell, Beck, and behind-the-scenes views of Paris Fashion Week I’m a social worker girl i was born with my heart on my sleeve a fire in my soul and a month i can’t control shirt. you know, before iPhones. You’ll even find a hot Keanu Reeves stranded on the side of the road with a motorcycle. It is basically a wet dream for ’90s nostalgia enthusiasts. It was what we were into and what we had access to,” says Coppola speaking over the phone from her home in California. “It wasn’t a comedy show. I don’t really know how they let us develop it.” A student at Cal-Arts at the time, Coppola tapped her friend Zoe Cassavetes to co-host. Very loosely, the theme for the show was, well, all-things hi-octane: muscle cars, monster trucks, and stunt double drivers. In other words, girls getting rowdy in cars. (Coppola drove a vintage 1969 convertible GTO back then. “It would stall in the intersection of LA and I couldn’t fix it,” she says. “I was kind of a poser to have that car, but it was fun.